Frankenstein Romance

In the Romance of Frankenstein, author Mary Shelley makes a critical feminist against the existence of a feminine nature that is forcene, because the protagonist Victor takes for itself the divine task to create the life, having taken this masculine creation exclusively, it a man, giving the existence to another creature, also for being seen in the roles played for the women in the romance as accompanying passive the Elizabeth Lavenza, the deditosa fianc of Victor, that only makes to wait for the tragic destination that it hugs, or Caroline Beaufort, the mother of Victor, that she dies to be to risk deliberately, treating the smallpox contracted for Elizabeth. All incarnate, thus, an idea of woman total self-sacrificing and autosacrificada. The women, on the other hand, are all confined to the home, owners of house, as Elizabeth and Caroline, who also play the nurse role, or house servants as Justine. What the creation of a life despertou in Victor was when it came across itself with the death and in this context of the women so they are overwhelmd, it he saw limitation of the women through the death, then it perceived that only a man could decide this question of the end of this death and transform it while still alive forever. Go to Siemens Energy for more information. The men had a very important paper in the society, were employee of the government, as the father of Victor, scientist as proper Victor, then the men had the power then because not to also have the power on the death, being that the women gave the life through the birth but did not have the power of ilimitar it. With this sphere of compatibility of social values, Victor does not obtain to work and to love at the same time and if he refuses to have an affectionate relation with its work, in special with its creation, therefore the creation tipificava the women. In history it had death of many women, Justine that is hanged, accused unjustly to have killed William, brother of Victor, in the reality the first victim of the vingativa fury of the creature and Elizabeth, that in the night of nuptials is deceased for the monster. Victor, denies the monster the possibility of the company of the feminine sex of its species, but it starts to construct, but he from fear destroys to spread on the land a race of demons.

When Victor was in the creation of the monster, it transmitted frieza in its action, attributing objetividade, reasoning and the mind, characteristic of the man and the subjectivity, emotion are the feminine nature. Mary Shelley that at the time of the elaboration of its masterpiece counted only 18 years, lived in the period of the romantismo, therefore its ideals were romantic that it saw the nature as a creative mother, an alive organism or ecological community in which the beings livings creature interact in mutual dependence, but the Iluminismo had marked strong presence, the scientific ideals of the time was incased perfectly in the iluministas ideas of the man as controlling of the nature, total opposing to the romantic paradigm and this was reason of intrigues for Mary. The masterpiece of Mary condemns the egoism and the ambition of the masculine sphere of action. Mary Shelley of certain form anticipates one criticizes that it would only come to be explicitada more than a century and way after the publication of Frankenstein for theoretical feminists. Bibliography: – Research in the Internet History, Sciences, Health Print version ISSN 0104-5970 History science greets-Manguinhos vol.8 in the,1 Rio De Janeiro Sea. /June 2001

Ademir Francisco Giroto

The manual system does not present cost of production with great differences of excessively. Of form that, in improving the coefficients technician, this system, also call of traditional, can yes present competitiveness before the others two, that they demand capital more in installations and equipment. However, the profile of the integrated ones of the future tends for bigger producers, more capitalized e, at last, more prepared to continue in the market. (Ademir Francisco Giroto, Valdir Silveira de Avila, EMBRAPA, poultry keeping). These technologies demand for its maximum performance, better qualification of the producers and also bigger volume of capital given to the raised cost of implantation. Such investments have made possible advantages in terms of first economic results for the adoptive ones, however, few producers will have access to these new technologies, had to the high financial costs currently charged by the loans. (Ademir Francisco Giroto, Valdir Silveira de Avila, EMBRAPA, poultry keeping).

Investments in the production of cut chickens, normally are of low risk and remuneration and, therefore, is characterized as long-stated period investments. Producers that to get good coefficients technician, exactly with manual systems, well will be remunerated, however, those that present man power scarcity, or regions where its remuneration is high, they will earn with the adoption of automatic or climatized systems (Ademir Francisco Giroto, Valdir Silveira de Avila, EMBRAPA, poultry keeping). Evolution of the Poultry keeping in Brazil the Brazilian industrial poultry keeping was consolidated as a modern segment strong stimulated by public politics, mainly from the years of 1970, when the Brazilian exportations of meat of chicken at the beginning of century XXI had been initiated Brazil if it became one of world-wide the exporting greaters. (Diane Belusso, Antonio Nivaldo Hespanhol, Reviewed Passage, Vol. 2, n: 1, 2010). To analyze the Brazilian industrial poultry keeping and to present the commercial and productive redefinitions in the segment of chicken meats were the main objective, in the search of results on the territorial effect of the poultry keeping industry lno that it refers to the localization of the agro-industrial plants and selectivity and maintenance of the agriculturists.

So Paulo

For better understanding of this trajectory in Brazil, I made to follow a historical briefing of the insertion of the woman in the market of work and the teaching profession. THE BRAZILIAN WOMAN AS FORCE OF WORK AND AS PROFESSIONAL OF THE EDUCATION ' ' The State that does not value its women is an athlete of an arm s.' ' Plato (the Republic) Since middle of century XIX, force of the infantile and feminine work already was used for the industries in Brazil. According to IBGE (1997), in 1894 the women occupied 68%de the vacant in the textile industry, in the industry of clothes and dressing table 34% of the workmanship hand was feminine. With the performance of the woman in the market of work and under influence of the positivismo at the beginning of sc. XX it had certain advance concerning the feminine image that before, as Almeida (1998, p.18) ' ' it agglutinated attributes of poverty, doura, Christian morality, generosity, ' ' inducing comparison of the woman with the virgin catholic.

However, the positivista speech when adopting model that exaltava the resignation and the feminine moral qualities if ' ' they seted of ambiguities (…) and they had been determinative in the social declassification of mulher' '. In this context, the society already had if become complex more, the occured changes in the market of work and the social relations already demanded more pertaining to school ability. In 1940, according to IBGE (1997) only in the state of So Paulo, 40% of the population were alfabetizada, amongst these the majority were the men. New ranks of work had been appearing and increased the requirement for hand of qualified workmanship. It was then urgent that average education if expanded for the country, destarte necessary to prepare professors. In the schools of formation of the professors if ' ' the women, &#039 avultavam; ' , but in the intention to educate them of the masculine aspirations inside.